All Access Rating: B+
|Emigrate - Silent So Long 2014|
The impact of the Emigrate's sophomore record is felt immediately, as Kruspe and company load Silent So Long with enough pulsating punk energy, misanthropic electronic menace and industrial, metallic crunch to excite and unnerve even the most stoic and cynical of scene observers.
Clean, urgent and modern, Silent So Long is bolstered by the contributions of several big-name guest vocalists. On the sexy and seductive "Get Down" the always provocative Peaches slithers over throbbing, creeped-out cyber funk that somewhat resembles Massive Attack's "Angel" and the whole thing explodes when the bombing campaign of crashing guitars is initiated. With Korn's Jonathan Davis' subversive intonation, the closing title track is just as sinister, as dub undercurrents quietly rumble and roll in the song's deep recesses. And then there's the gravelly voice of Motorhead's Lemmy Kilmister adding grit to the racing, but almost weightless, "Rock City" flying down musical straightaways.
Somewhat innovative, although not a great leap forward in that respect, Silent So Long is, nevertheless, a modern-rock, radio-friendly monster, the big, irrepressible hooks and heavy, driving momentum of "Rainbow" and "Giving Up" tailored for such programming. In a perfect world, so would the swaggering opener "Eat You Alive," featuring a devilish Frank Delleti, from the popular German band Seeed, on the mic and giving '70s glam-rock stomp a futuristic makeover.
Emigrate's first album cracked the Top 10 in Germany, and it's not a stretch of the imagination to believe this one will, too. While it could be the soundtrack to some sci-fi film noir experiment, the multi-layered Silent So Long is, at its core, an album based around strong beats, surging rock riffs and impenetrable song structures, and that's always an appealing formula for luring listeners.
– Peter Lindblad