ALL ACCESS

CD Review: Marillion – Sounds That Can't Be Made Special Edition

CD Review: Marillion – Sounds That Can't Be Made Special Edition

Eagle Rock Entertainment/earMusic

All Access Rating: A

Marillion - Sounds That Can't Be Made
Special Edition 2014

Marillion did its homework for "Gaza," the 17-minute epic opener to 2012's Sounds That Can't Be Made. Unafraid to tackle an issue as thorny as that of the Israeli occupation of the Gaza Strip, these old neo-progressives with their heads in the clouds got their hands dirty with this one.

Attempting to separate truth from fiction, they talked to everyone involved, from aid workers and actual refugees who live there to Israelis who are sick of the fighting, before penning their heartrending and nuanced musical tale of a boy growing up amid violence and poverty.

Alternating between moments of quiet beauty and scenes of unbearable tension and fear, "Gaza," introduced by the ominous sound of a helicopter in the distance, is quite possibly the crowning achievement of Marillion's post-Fish era. Exotic, sublime melodies and passages of calm are abruptly interrupted by exploding bombs of angry discord and noise, as Marillion illustrates the bleak hardships of life in the war-torn region. After such a cinematic tour de force, the rest of Sounds That Can't Be Made seems somewhat less ambitious in comparison, but how could it not?

Given that it couldn't possibly match the high drama and emotional weight of "Gaza," the rest of Sounds That Can't Be Made strives for more soulful and resonant expression on songs such as the stylish "Pour My Love," a watery "Power" that turns radiant, and, awash in strings, the soaring "The Sky Above the Rain," not to mention the gorgeously rendered title track, with its blissful pop sentiments and airy synthesizers. Richly appointed, with lush piano, mature lyrics, earnest vocals and clever guitar parts, this is Marillion leaving bombast and inscrutable artiness behind to moonlight in a dimly lit jazz club, winning over prog-rock purists with their well-crafted melodies, lush tones and understated dynamics. It's a stunning about-face for Marillion, and one that's deeply affecting.

Those comparisons to Genesis that have always followed Marillion make less sense these days, especially when taking account of the six bonus tracks padding this Special Edition of Sounds That Can't Be Made – mostly different versions of songs off the original record. Radio sessions for "Wrapped Up in Time," "Power" and "Pour My Love" are stark and intimate readings, comprised almost entirely of just piano and vocals – with just a touch of electric guitar occasionally emerging – and even more gripping than the originals.

The demo arrangement of "Lucky Man" is quiet and gentle, betraying a gospel influence but barely registering a pulse and taking far too long to gain momentum, while a life-affirming concert version of "Sounds That Can't Be Made" grows more expansive and hits all the right emotional notes, as does Marillion blindingly radiant live take on "Invisible Ink." Coldplay should be taking notes.

Although Marillion has always been able to conjure up a vast array of sounds that can be made, rarely have those pieces coalesced into such lustrous, and wholly accessible, shapes, evolving ever so slightly and building into more magnificent structures. This edition is truly special. http://www.eagle-rock.com/; http://www.ear-music.net/en/news/
– Peter Lindblad

A little 'Sweet Tea' with California Breed

First single, video from Glenn Hughes' new band premieres today
By Peter Lindblad

California Breed 2014
Photo by: Austyn Weiner

How about some afternoon tea with Glenn Hughes and his new band, California Breed? Instead of crumpets or finger sandwiches, there's powerful, swaggering rock 'n' roll to snack on.

Today, the newly formed power trio, featuring Jason Bonham on drums and young guitar phenom Andrew Watt, debuted the video for "Sweet Tea," the first single from their forthcoming self-titled album, at USA Today, along with a fascinating Q&A with Hughes, here: http://tinyurl.com/mmp7mxq.

California Breed's self-titled album is due out May 20 on Frontiers Records, and if "Sweet Tea" is any indication, it ought to be a raucous affair. Nasty and mean, "Sweet Tea" is a savory treat, a hunk of greasy proto-metal meat that's been sitting in the fridge of a truck stop diner since '73 and still manages to taste as fresh as if it was just butchered.

California Breed - S/T 2014

Although it borrows some of its testosterone-fueled strut from early glam-rock, "Sweet Tea," all cocksure attitude and tough hooks, sounds more like Mountain's "Mississippi Queen," with Watt's savage guitar riffs seemingly carved out of granite and Bonham breaking rocks in the hot sun with brutal violence, while Hughes stays true to his primal urges and unleashes mounting sexual frustration in vocals that really get the blood boiling.

An extension of Black Country Communion's all-too-brief existence, California Breed appears intent on sucking the marrow from the bones of the '70s classic-rock artists it wants to emulate. A performance piece, with the band's tropical eye logo covering its amps, the video finds the threesome playing the song with unbridled enthusiasm and raw machismo, with Watt dressed suspiciously like a young Ritchie Blackmore. All the while a comely lass cuts lemons and stirs up not only a pitcher of sweet tea, but also some raging male hormones to boot.

The album was produced by Dave Cobb, who's sprinkled his studio magic over works by Rival Sons and Shooter Jennings. It will be available as a CD, digital download and a Deluxe Edition CD + DVD that packages the original record with the bonus track "Solo," two videos and a documentary. Those that pre-order the digital download on iTunes will receive an instant download of "Sweet Tea" upon ordering. The iTunes and Amazon pre-order links are as follows:

iTunes: http://smarturl.it/CaliforniaBreed

Amazon CD: http://smarturl.it/CB_AmzCD

CD Deluxe Edition CD + DVD: http://smarturl.it/CB_AmzCDDVD

Anthrax Memorabilia from Bello, Benante and Ian Takes Center Stage at Auction

Anthrax Artist Pass

There is no denying that Anthrax is and probably always will be one of the top collectible metal bands around. From guitars, drum heads, stage worn attire to promo items, passes, picks and sticks, fans and collectors snatch up Anthrax memorabilia – regardless of price or age, it simply doesn't matter.

Link: Anthrax Relics

The members of the band have a significant impact on the collect-ability of Anthrax memorabilia because collectively and individually they are so connected to their fan base and are highly approachable and open. That connection with the fans creates collectors (knowingly or not) and collecting is where it becomes fun.

This year’s Rock Gods and Metal Monsters Auction will feature personal items direct from the private collections of Scott Ian, Charlie Benante and Frank Bello. “We are super excited about having the three of them be a part of this year’s lineup and the items they have offered up are both personal and historically relevant,” says Backstage Auctions founder, Jacques van Gool.

Scott Ian's Gloves

Scott Ian – considered to be the heart and soul of Anthrax, is one of the most recognizable figures in hard rock. Influenced by KISS, British heavy metal and New York City hardcore, the powerhouse guitarist co-founded Anthrax with Danny Lilker in 1981. He also helped form the metal crossover act Stormtroopers of Death and has appeared in a variety of TV shows. He recently embarked on a no-holds-barred spoken word tour. This is Scott’s second auction that he has participated in with Backstage and the items up for grabs range from gear and stage worn attire to t-shirts, itineraries and posters.

Scott Ian Signed Randall Amp

Charlie Benante's
Personal Jacket

Charlie Benante is a whirlwind of activity behind his drum kit. A longtime member Anthrax, arriving just in time to assist in recording the band’s ferocious debut LP “Fistful of Metal”, Benante, a double-kick drum master, helped bring blast beats into fashion. Responsible for writing much of Anthrax’s music, Benante’s creativity and intense chops have made him one of the genre’s greatest drummers, fueling the energy of such landmark albums as “Spreading the Disease” and “Among the Living”. Also a fine artist, Benante’s estimable talents extend to the guitar, as he contributed lead to S.O.D.’s seminal “Speak English or Die”. Charlie has offered up some historical pieces used during the recording of “Anthems” and “Worship Music”, The Big 4 tour, many vintage t-shirts and even his personal 1986 Spreading The Disease leather jacket.

Charlie Benante Anthems Drum Heads

Frank Bello Fender Bass

Frank Bello started out as a roadie and guitar technician for Anthrax, before getting a big promotion in the aftermath of the thrash-metal pioneers’ debut LP “Fistful of Metal”. It was Bello, the nephew of Anthrax drummer Charlie Benante, who replaced co-founder Dan Lilker, joining the band in 1984. A wildly energetic presence on stage, Bello, playing bass with a fiery mixture of passion and precision, has held down the low-end in Anthrax ever since, taking time out only briefly for a short stint in Helmet. Also a philanthropist and an actor, Bello played punk legend Richard Hell in a film about Tim and Jeff Buckley called “Greetings from Tim Buckley.” He and David Ellefson (who is also participating in the auction) recently released “Booze and Cigarettes” which is firmly rooted in hard rock. One of the highlight pieces among Bello’s auction items is his “New York” Fender bass guitar that he has used both on tour and on several recordings. He took it out on the road, rehearsed with it and used it for the recording of “Sound of White Noise”, “Stomp 442” and the “Time” video. Like Charlie and Scott, Frank too has offered a great many exclusive and collectible t-shirts and personal items.

Collectively, Scott, Charlie and Frank have contributed over 100 items that will be showcased in the

Anthrax Spreading The Disease
T-Shirt

upcoming auction and with each lot sold; a signed Certificate of Authenticity (signed by the contributor) will be included.

The 2014 Rock God and Metal Monsters Auction will include over 700 rare pieces of rare hard rock and heavy metal memorabilia featuring Anthrax, Megadeth, KISS, Black Sabbath, Def Leppard, Van Halen, Pantera, Motley Crue, The Cult, Helmet, Nickelback, Overkill, Pantera, Ozzy, White Zombie and more. It is a not to miss opportunity for fans and collectors around the world to own an authentic piece of one of the most significant genres of music history. For more information and to get your VIP All Access Pass for the event visit www.backstageauctions.com.

The online auction starts March 30, 2014 and will run through April 6, 2014. A special VIP All Access preview of the entire auction catalog will be available beginning March 23rd.

To get your VIP All Access Pass for the event visit: VIP Auction Registration

Link: Anthrax Relics

Related Rock Gods and Metal Monsters Auction Posts:
Peter Criss' Original ‘73 – ’74 Kiss Tour Used Drum Kit Hits The Auction Block

Backstage Auctions Announces Line Up for The 2014 Rock Gods and Metal Monsters Auction

Backstage Auctions is a boutique online auction house specializing in authentic rock memorabilia. By exclusively representing legendary musicians and entertainment professionals directly, every auction event is unique, reflecting the artist's legacy and chronicles their legendary career. Backstage Auctions has represented dozens of notable and very talented musicians, producers and managers in the music industry. The very first online auction event featured the private collection of legendary producer Eddie Kramer (Hendrix, Zeppelin, Kiss) and since then, Backstage has represented Ted Nugent, Howard Kaylan (The Turtles), Ross Valory (Journey) and Michael Shrieve (Santana) Johny Barbata (Jefferson Starship), Kip Winger (Winger), John 5 (Marilyn Manson, Rob Zombie), Al Jourgensen (Ministry), Rudy Sarzo (Quiet Riot, Whitesnake, Dio, BOC), Scott Rockenfield (Queensryche), Graham Bonnet (Rainbow, Alcatraz), Scott Ian (Anthrax), Charlie Benante (Anthrax), Sean Yseult (White Zombie) as well as managers of legendary bands such as The Grateful Dead, Jefferson Airplane, KISS, Journey, Joe Walsh, Pantera, White Zombie, Ringo Starr and His All Starr Band and Motley Crue. Backstage Auctions works closely with each client and incorporates their personal stories and memories throughout the online auction event. The end result is a unique, historical and unforgettable journey spanning decades of music history and turning fans into collectors one auction at a time.

Peter Criss' Original ‘73 – ’74 Kiss Tour Used Drum Kit Hits The Auction Block

Peter Criss Drum Kit '73 - '74 Kiss Tour

Kiss may not be performing at the Rock and Roll Hall of Fame ceremony, but fans and collectors will definitely get VIP access to historical and some never before seen pieces of Kiss memorabilia in the upcoming Rock Gods and Metal Monsters Auction, hosted by Backstage Auctions.

The online auction event contains over 200 auction lots of rare Kiss memorabilia dating back as far as back as 1973 and is filled with historically relevant Kiss relics.

Peter Criss
Behind the Original Drum Kit

If you are looking for something in the "Holy Grail" range – Peter Criss’ personal drum kit that he used from 1973 – 1974 while on tour with Kiss should definitely be on at the top of your list of items to procure.

As far as epic, historic and downright mind-blowing Kiss collectibles go, it is hard to imagine something more prestigious than his complete Ludwig drum kit, which was his very first official Kiss kit.

He premiered the kit in December of 1973 and played it all the way through 1974, before it was replaced by a stretch of Pearl kits. In addition to the super cool 24 inch glitter logo bass drum, it also contains the snare, various tom-toms, cymbals, cowbell, drum stool and even some of the original road cases.

Original Peter Criss Solo Album
Painting 1978

For the curators exclusive pop culture artwork, the original Eraldo Carugati painting used for Peter Criss’ solo album should be given serious consideration. In 1978 Bill Aucoin commissioned the artist to paint the images of all four band members to be used for the solo albums. To this day, the four solo face images are used on everything from posters to t-shirts and everything in between. This is the first time in history, that one of the original paintings will be publicly made available to the collectors market.

"So often we think we have hit the peak of rare Kiss memorabilia and then another collection comes along, and collectively the pieces featured in this auction have moved us to a new summit with the private collections of Debra Svensk-Jenson (previously married to Peter Criss), Linda West and the late

Kiss Tour Promoter Bag 1970s

Ken Anderson, both of Aucoin Management and rock photographer Chip Rock” says Backstage Auctions founder Jacques van Gool.

The auction will feature a wide range of Kiss memorabilia appealing to everyone’s taste and budget including; Gold and Platinum RIAA awards, rare t-shirts, jackets and crew attire, artist signed items, rare ephemera and personal notes, hand-written lyrics, sticks, picks and passes, rare vinyl and more. “There is enough historical Kiss memorabilia in this auction, that it would be worthy of a Rock and Roll Hall of Fame exhibit,” says van Gool.

Kiss Plantinum Solo Album RIAA Awards

The Rock God and Metal Monsters Auction will also include hundreds of rare hard rock and heavy metal memorabilia from the private collections of David Ellefson, Frank Bello, Charlie Benante, Scott Ian, John Tempesta, Page Hamilton, Sean Yseult and several industry professionals.

Bidding will run from March 30 through April 6, 2014. A special VIP All Access preview of the entire auction catalog will be available beginning March 23rd.

For more information and to get your VIP All Access Pass: VIP Auction Registration

Deep Purple 'Live in California 74' coming soon

Legendary concert made available on CD, digital audio

Deep Purple - Live in California 74

Deep Purple had the world by the tail in the mid-1970s. Bigger than just about anybody in hard rock, with some exceptions, of course, they co-headlined the historic California Jam Festival 40 years ago. To mark the anniversary of that life-changing event, Eagle Rock Entertainment is issuing Deep Purple Live in California 74 for the first time on CD and digital audio on April 1.

One of the most in-demand live acts in the world at the time, Deep Purple was finishing up a 28-date tour promoting Burn when they hit the Golden State. The CD showcases the band performing before 200,000 people at the Cal Jam Festival. It was a triumphant coda to a glorious march, as the thunderous lineup of Ritchie Blackmore (guitar), David Coverdale (vocals), Glenn Hughes (bass), Jon Lord(keyboards), and Ian Paice (drums) blew the crowd away with a fiery set of songs from Burn, as well as classics like “Space Truckin’” and “Smoke On The Water.”

A legendary performance, the storied concert was previously released on DVD in 2006. The Live In California 74 album is essential stuff. To keep updated on this and other releases from Eagle Rock, visit www.facebook.com/EagleRockEnt, www.twitter.com/EagleRockNews and www.youtube.com/user/eaglerocktv.

Check the track listing. There's no filler.

Track Listing:

1.) Burn

2.) Might Just Take Your Life

3.) Lay Down, Stay Down

4.) Mistreated

5.) Smoke On The Water

6.) You Fool No One

7.) Space Truckin’

CD Review: Ringworm – Hammer of the Witch

CD Review: Ringworm – Hammer of the Witch

Relapse Records

All Access Rating: A-

Ringworm - Hammer of the Witch 2014

Batten down the hatches everybody. The Category 5 cyclone of hardcore and metal that is Ringworm's devastating Hammer of the Witch is about to make landfall.

Formed in 1991 in Cleveland, Ohio, Ringworm rose to prominence in a hardcore scene populated by fellow firebrands Terror and Earth Crisis, but they dropped out in 1993, only to rise from the ashes around the turn of the century and wreak sonic havoc on 2001's Victory Records release Birth is Pain and a succession of more audio vitriol.

Now comes Ringworm's roaring, high-velocity debut for Relapse Records, Hammer of the Witch. It's non-stop action from beginning to end, a swarming, all-consuming conflagration of scorched-earth thrash riffage that's diabolically complex and heavy at times.

Surging forward with anger and violence, Hammer of the Witch is Hatebreed on amphetamines, shattering land-speed records on "I Recommend Amputation," "Bleed," the raging "Psychic Vampire" and a blistering "King of Blood." The shouted, in-your-face vocals come courtesy of Human Furnace, while the whiplash breakdowns would draw the attention of a personal-injury lawyer. Hammer of the Witch is as chaotic as a prison break, with searing guitar solos and thickened, intense grooves for those who also appreciate full-throttle speed.
– Peter Lindblad

Keep calm and ask Alice Cooper

Alice Cooper - Super Duper
Alice Cooper 2014

New documentary on shock-rock icon comes with fan Q&A

Alice Cooper is coming to the silver screen. Hide the women and children, and the boa constrictors.

Due to premiere at the 2014 Tribeca Film Festival, "Super Duper Alice Cooper" is a new documentary on the shock-rock superstar that's purported to be the first-ever "doc opera," combining animation, archival footage and rock opera tropes to tell the story of rock 'n' roll's first true villain. It will hit theaters nationwide beginning May 30. Here's a trailer:

Wanting to make the experience an interactive one, Cooper is compiling a pre-recorded "Keep Calm & Go Ask Alice" Q&A that will run following each theatrical screening. Fans are being asked to go to www.SuperDuperAliceCooper.com (click the "Keep Calm and Go Ask Alice" graphic) and ask the man himself whatever questions they want, as long as the submission period runs. He'll then handpick select questions and answer them via video.

As for the film, it's another Scot McFadyen and Sam Dunn joint, those same guys from Banger Films that brought you "Iron Maiden: Flight 666" and "Rush: Beyond the Lighted Stage." It traces the career arc of a preacher's son who became Public Enemy No. 1 to parents nationwide as Alice Cooper, following his career from its freaky Phoenix roots through his band's groundbreaking, demented theatrics and into the destructive decadence of the '70s, which set the stage for his rebirth as an '80s glam-metal icon.

Iggy Pop, John Lydon, Dee Snider and Elton John weigh on the art and life of Vincent Furnier, a man who fought to overcome his demons, all while trying to maintain the image of his crazed alter-ego, Alice.

For more on the movie, visit www.SuperDuperAliceCooper.com or www.facebook.com/SuperDuperAliceCooper.

Looking for information on what Alice Cooper is up to, visit www.alicecooper.com, www.facebook.com/AliceCooper, or www.twitter.com/realalicecooper.

CD Review: House Of Lords – Precious Metal

CD Review: House Of Lords – Precious Metal

Frontiers Records

All Access Rating: B-

House Of Lords - Precious Metal 2014

Much to the relief of longtime followers, House Of Lords has not fallen into a state of disrepair, although there was reason to believe it might given the 2004 departure of founder and keyboard wizard Gregg Giuffria.

Having undergone a series of substantial lineup renovations over the years, this melodic-metal fortress is still standing, thanks to the efforts of singer James Christian, the sole remaining original member. Those who lost track of House Of Lords when the bulldozers of grunge almost plowed pop metal completely under will still recognize the place.

Newer releases such 2006's World Upside Down, 2008's Come to My Kingdom and 2011's Big Money typically balanced the competing forces of gleaming, silvery keyboard rushes, big choruses and heavier, complex guitar constructions, all while making grand melodic gestures and occasionally succumbing to the temptation of throwing in a tender, if a bit treacly, power ballad or two. This is what Precious Metal, House of Lords' latest, is made of as well.

Forever immersed in the sounds and stylistic blandness of '80s AOR, House Of Lords, nevertheless, charges into Precious Metal with the galloping "Battle," where sharp-edged synthesizers flash like swords and Christian's forceful wail urges on the troops."Epic" is a thrilling chase, a euphoric rush of power metal that aims for the dizzying heights of Europe, while "Permission to Die" and "Swimmin' With The Sharks" are made of stronger, infectious grooves and driving rhythms, and "I'm Breakin' Free" is a slightly bitter pop-metal kiss-off that Warrant wouldn't have kicked out of bed.

Filled with fine, if cliched, sentiments about never wasting one single breath of life, the overly earnest "Live Every Day (Like It's the Last)" could have been that breakthrough single House Of Lords was looking for in the '80s, but the title track's exploration of male-female relationship dynamics is superficial at best, and the music is hopelessly melodramatic. Still, even if songs like "Raw" tend to fall apart after powerful intros and never fully coalesce into anything truly memorable, Precious Metal is well-produced, with a clutch of bracing, electrically charged riffs, various keyboard spells and impassioned singing carrying the day. http://www.frontiers.it/
– Peter Lindblad

Gone fishing: The story behind Foghat's 'Fool for the City' LP cover

Roger Earl remembers an encounter with New York City's Finest
By Peter Lindblad

Everyone's had a good laugh over the years over the cover to Foghat's Fool for the City album cover. Count Roger Earl, the band's original drummer and the only founding member of the '70s blues-rock giants left in the band, among them.

Foghat - Fool For The City

"Yeah, to this day, people tend to get a real kick out of it," said Earl. "The thing is, one has to maintain one’s sense of humor. I think it’s imperative."

The boys in Foghat certainly never took themselves too seriously. On the cover of Fool for the City is a photo of Earl sitting on a soapbox fishing in a manhole in the middle of East 11th Street in New York City. Foghat's American office was located nearby.

Despite being an avid fisherman, it wasn't Earl who came up with the idea.

"Um, I might be wrong, but I believe it was suggested by our producer and bass player at the time, Nick Jameson," said Earl. "I’m pretty sure Nick was the one who suggested it. I should ask him about it. I think it was his idea, because anytime I had some time off or I was wanting to unwind, I would go fishing. I’d grab a rod and go. Fly fishing was always fun, and fishing on rivers, because you could walk. But it didn’t matter if I was in a boat or sitting on a sandy beach, it was still fishing. And that’s the way I still feel. Anytime I could go fishing, it wasn’t wasted time. That what they say, right? (laughs) In fact, I read somewhere, God doesn’t take time out of your life if you go fishing. And I said, “I like that.” Fishermen like that (laughs)."

Some of the local authorities weren't initially so jolly about what Earl and Foghat were doing, as Earl recalls.

"I think we’d finished the record actually, and we were out on Long Island, and we got up early one Sunday morning, drove into Manhattan with a pole, lifted up the manhole cover and started fishing," said Earl. "And a couple of New York’s Finest came along and said, 'Hey, you got a license?' Because I had a pole, and I said, 'Oh, shit.' And he said, 'Do you have a fishing license?' (laughs) They said, 'What the f—k are you guys doing?' And we explained to him what we were doing, and they said, 'Oh, okay.' So they just made sure the taxis and other cars wouldn’t go down the pot hole or anything. They’re New York’s Finest, and they laughed at it. They were more worried about murderers, robbers and rapists, not some rock ‘n’ rollers pulling up manhole covers (laughs)."

One of the best live bands to ever come out of the '70s, as evidenced by 1977's massively successful Foghat Live album, Foghat has a new live DVD out titled "Live in St. Pete" that's available at http://www.foghat.net/. Earl likes how it came out.

Foghat - Live at St. Pete

"Yeah, we were rather pleased with it," said Earl. "We’d been trying to put out a DVD. The last one we had was about 10 years ago, and it was taken from a whole bunch of shows. Over the last 10 years or so, we’d record regularly, or if there was decent filming equipment there, and we’d been going through all the DVDs and stuff that we had, and I’m trying to compile a bunch of tunes that we could put on a DVD. The problem I was having is that some films and some shows sounded really good, but the video left something to be desired. Other shows looked really good, and like the bass drum or the bass guitar weren’t on there or we had no lead guitar, or Charlie’s voice was distorted. So I’d gotten through all this stuff, and it was um … definitely a labor of love, but it wasn’t really (laughs)."

This one, they got right, as per our review of the video. http://backstageauctions.blogspot.com/2014/02/dvd-review-foghat-live-in-st-pete.html

"So what happened was, we finished actually touring for the year, and our agent called us up and said, 'Look, somebody’s canceled at this club down in Florida in St. Pete. Would you guys like to play there?" related Earl. "Myself, I was already down in Florida, staying at a house down there. Bryan (Bassette) lives down there, as does Charlie (Huhn). And two of our crew were already down there, so we called everybody up and said, 'Do you want to go out and do one more?' And they all said, 'Please.' (laughs) We did it, and our families were there, so we had a big party afterwards, and our sound engineer came in with a CD from the night, and he said, I think you sounded really good.' And he really didn’t have much to do with it. He cleaned up most of the stuff that he could. And then he handed us something us. There was also video from it, and we went, All right.' We were drinking some wine and (had some) cheese and vodkas, and having a party at the hotel, and we were listening to it, and going, 'Wow! This is really good.'"

And so, "Live at St. Pete" was born. Look for more of our interview with Earl in this space in the coming days and weeks.

Crowbar to release 'Symmetry in Black' this spring

NOLA metal miscreants celebrate 25th anniversary

Crowbar 2014
Photo by Zack Smith

When the thaw comes, so will the sludge, as New Orleans riff maulers Crowbar are set to deliver Symmetry in Black, their newest album, on May 27.

A day earlier, it will released in Europe through Century Media Records.

Produced by founding guitarist/vocalist Kirk Windstein and Duane Simoneaux, Symmetry in Black comes on the heels of 2011's Sever the Wicked Hand. Windstein is beyond excited about Crowbar's latest.

"We are so proud and excited about what we have accomplished with this record! The focus, determination and attitude in the band is at an all-time high," said Windstein. "We are 100 percent ready to get this juggernaut rolling and never touch the brakes again. Crowbar will not be stopped!"

Symmetry in Black will be Crowbar's tenth studio LP. Furthermore, this year is Crowbar's silver anniversary, marking 25 years since the band arrived on the metal scene kicking and screaming from the womb.

"Crowbar is my heart and soul," said Windstein. "The music is part of me that I am extremely proud of. It's an amazing feeling to be putting all of my energy and focus into something that I created 25 years ago! We are extremely excited to release our tenth full length and to bring the riffs to as many people as possible on tour. See you on the road!"

Having finished recording, Crowbar will fly over to the U.K. for a short tour. Windstein, guitarist Matt Brunson, drummer Tommy Buckley and bassist Jeff Golden will be supported by Hang The Bastard and Dropback. Crowbar will hit the European festival scene this summer, making appearances at Roadburn and Bloodstock. U.S. fans can witness the Crowbar carnage at Maryland Deathfest.

Backstage Auctions Announces Line Up for The 2014 Rock Gods and Metal Monsters Auction

The Rock God and Metal Monsters Auction will include over 700 pieces of rare hard rock and heavy metal memorabilia featuring Anthrax, Megadeth, KISS, Black Sabbath, Def Leppard, Van Halen, Pantera, Motley Crue, The Cult, Helmet, Nickelback, Overkill, Ozzy, White Zombie and more.

Backstage Auctions is proud to present their annual "Rock Gods and Metal Monsters Auction". The online event, which is scheduled to go live in March, features amazing pieces of rock history direct from the

David Ellefson Bass Guitars
Big 4 Tour

personal collections of artists, producers, managers and record industry professionals.

"Our annual hard rock and heavy metal auction has really become our most popular auction event we host and this year we are super excited about so many rare but highly personal items from both musicians and industry executives," explains Backstage Auctions founder Jacques van Gool.

There is definitely a wide range of collectibles featured in the auction including guitars, drum heads, amps, pedals, gear and accessories, artist stage

Charlie Benante Drum Head
Anthrax Anthems Album

worn apparel, RIAA Gold and Platinum records awards, recordings, incredible vinyl collections, original artwork, rare concert posters, vintage t-shirts, historical ephemera, photos and negatives with "money shots", picks and sticks and the list goes on.

Spanning several decades of rock history, the items up for auction are definitely iconic pieces that collectors and fans will go nuts over. "It's not every day that you get a bass guitar from the legendary David Ellefson, but to get two that were used on the Big 4 tour, well that's every fan or collector's dream," says van Gool.

One band that is sure to steal a huge chunk of the spotlight is Kiss, with consignments of rare (and some never before seen) pieces of Kiss history – all coming directly from former Aucoin Management employees. "Each year we think that we have hit the peak of rare Kiss memorabilia, but once again we have managed to find a new summit," says van Gool.

Kiss 1978 Platinum RIAA Record Awards Solo LPs

Of course giving fans and collectors direct access to authentic and rare pieces of rock history is always what the goal when we build our auction events, and this years Rock Gods and Metal Auction is no exception. The “Rock Gods and Metal Monsters Auction” is a not-to-miss opportunity for fans and collectors around
the world to own an authentic piece of one of the most significant genres of music history.

For more information and to get your VIP All Access Pass for the event visit Backstage Auctions.

The online auction starts March 30, 2014 and will run through April 6, 2014.

A special VIP All Access preview of the entire auction catalog will be available beginning March 23rd. Register today for your All Access Pass.

ACE FREHLEY CONFIRMS NO ORIGINAL KISS PERFORMANCE AT HOF

Source: Eddie Trunk - Trunk Report

Exclusive new late tonight. Ace Frehley called into my radio show live tonight and confirmed that he and Peter are being denied the opportunity to perform at the R&R Hall Of Fame ceremony by Gene and Paul, who will perform instead with the current band. Ace said (and the HOF confirmed to me

Kiss

directly) that the HOF wants the original band. However Gene and Paul to date have declined to allow this to happen.

Ace said it was important he let the fans know exactly what was happening since tickets are about to go on sale to the public and he didn’t want fans to purchase them expecting a reunion performance even for a song or two. Ace said he is undecided if he will even attend in light of this decision. Even though the HOF would prefer the original band, they will not stand in the way of the current band playing if that is all Gene and Paul are willing to do.

Assume anything is possible that something could change, but at this time there are no plans at all for Ace and Peter to play, or perhaps even be there depending what they decide. As I have said consistently when there was news to share I would let it come directly from a member, and tonight Ace let everyone know exactly what was going on. Said he was most upset for the fans who voted them in and were hoping to see a song or two, but also said it is now time to move on. He is working on a new album and said the stress was really killing him about the HOF and he needed to let fans know what was up before tickets went on sale. Peter will likely have a similar statement on his site tomorrow.

I’ll continue to keep you posted as more info develops but that’s where things are at now. I’m sure the audio will be on YouTube of Ace’s call but you can hear the entire show next weekend as usual on all affiliate stations and online outlets as well. Sad day for long time Kiss fans but at least we know where things stand as of now. The producer/director for the HOF show Joel Gallen expressed an interest in coming on the air soon. As usual my door is open to any and all to discuss. More soon.

Original Story Here: Eddie Trunk - Trunk Report