Showing posts with label Joey Vera. Show all posts
Showing posts with label Joey Vera. Show all posts

Another @#$&! 2015 Top 10 rock albums list: Part 2

The best five metal and hard-rock records of the year
By Peter Lindblad

Sevendust brought forth 'Kill The Flaw'
in 2015
While death and the mortality of rock legends have dominated headlines in recent weeks, stories of musical resurrection and redemption made 2015 a year of renewal and inspiring artistry, with a number of fantastic records seeing the light of day. Such tales were sorely needed.

Most notably, Sol Invictus marked the glorious return of Faith No More, proving that even after lying dormant for 11 years, the intensely creative spark within them still burned as bright as ever.

And then there was Baroness, still reeling from a horrible tour bus accident that caused the departure of half the band and forced John Baizely to go through excruciating rehabilitation. In spite of their troubles, Baroness marched on, releasing in December one of the year's most life-affirming records with Purple. For consistency and continued brilliance, there's Clutch, whose album Psychic Warfare provided more evidence of their greatness, and Motor Sister's Ride showed that all Mother Superior's Jim Wilson needed was a little help from friends like Anthrax's Scott Ian, his wife Pearl and Joey Vera, of Fates Warning and Armored Saint, to churn out great '70s-inspired rock 'n' roll.

Ross the Boss and Death Dealer screamed, "Death to false metal" with their rugged, all-encompassing brand of power metal on Hallowed Ground. Lucifer conjured up beautifully evil sonic witchcraft. Fear Factory crafted another epic sci-fi concept record with Genexus. Rivers Of Nihil conceived a nightmarish dystopian scenario in Monarchy, and TesseracT somehow performed some kind of weird alchemy to convert complex prog-metal into something melodic and tuneful on Polaris. In the end, however, none of those records made the final cut, failing to beat out others like Sevendust's dense and darkly soulful Kill The Flaw. Here's a look at our top five albums in metal and hard rock for this past year:

Baroness - Purple
5. Baroness – Purple: Arriving late to the party, Purple was an emotional volcano, erupting and overflowing with anguish, confusion, joy and a determination to not let the harsh reality of their circumstances derail the mighty Baroness. A binge-and-purge record that celebrates and appreciates life and all its confounding highs and lows, Purple made a statement, a declaration of independence from what happened in the past with arms spread wide to embrace the future. Its rough-textured riffs seemingly chiseled out of granite, Purple is not smooth or stylish, but it is powerful, exciting, heavy and raw, with full-bodied choruses of voices bloodied and beaten, but unbowed. It slams into ears like a giant runaway freight train. The feel-good story of the year.

Sevendust - Kill The Flaw
4. Sevendust – Kill The Flaw: Luxurious melodies pulled along by strong, thick currents of heavy guitar riffs combine to make Kill The Flaw nearly flawless, as do the rich, full-bodied vocals of Lajon Witherspoon and Morgan Rose's accomplished drumming. Never once have they lost that sense of who they are, and yet Kill The Flaw finds Sevendust still growing and maturing as artists, expanding their signature sound without compromising their integrity. Commercially speaking, the '90s were nirvana for Sevendust, but in the here and now, they're as polished and potent as they've ever been.

Clutch - Psychic Warfare
3. Clutch – Psychic Warfare: Earth Rocker was a tight, efficient machine running on organic grooves, grabbing hooks and killer riffs. On Psychic Warfare, all those elements can still be found, along with Neil Fallon's oddball humor and infectious storytelling, his forceful, rousing delivery begging for a rapt audience of miscreants. What also emerges is a tougher, more tumultuous sound that doesn't mind digging around in the muddy blues of ZZ Top. There is plenty of dirt on Clutch's boots and flannel shirts here, but when the time comes to regale us with noir-like tales from the trailer court, mystery and menace lurks in the shadows.

Motor Sister - Ride
2. Motor Sister – Ride: Explosive proto-punk mingles with rugged, rough-and-tumble '70s American hard rock and shaggy, blues-infused soul on Ride, the earthy, tuneful album that shined a light on '90s underdogs Mother Superior and its talented leader Jim Wilson. The genuine article in a period of pop insincerity, artificiality and insipidness, Ride is hungry for riffs and has real blood running through its arteries of compelling, gripping melody. It has swagger, energy and sex appeal – everything good, meat-and-potatoes rock 'n' roll music should have, although Motor Sister manages to elevate it to something more inspired and pure. It is altogether human, and it knows what it likes, and you want to hang out with it for hours on end in a dimly lit tavern before taking it someplace more exciting and dangerous, because it's not a stick in the mud and it wants a little adventure before the night ends. This Ride should never end.

1. Faith No More – Sol Invictus: Sol Invictus really is the album of the year, unlike the 1997 Faith No More LP that sarcastically proclaimed itself to be just that and failed to deliver on such promises. Furiously propulsive, deeply soulful, and incredibly diverse and playful, Sol Invictus isn't Angel Dust and it isn't The Real Thing, but it's something in between – a uniquely eclectic entry in the Faith No More catalog that remains interesting and intoxicating right up until its last breath. The sonic architecture of Sol Invictus is designed to amaze, and it leaves lasting memories of melodic grandeur, schizophrenic vocal treatments, swirling keyboards, rhythms constantly pushing and pulling back, and guitar riff conflagrations. Translated from Latin, the title of the album supposedly means "Unconquered Sun." That's as apt a description of this record as any ever written.


CD Review: Motor Sister – Ride

CD Review: Motor Sister – Ride
Metal Blade Records
All Access Rating: A

Motor Sister - Ride 2015
Motor Sister is sort of a reincarnation of Mother Superior, a trio from Los Angeles that unabashedly glorified ballsy '70s American hard rock, fiery proto-punk and bluesy soul in the '90s before calling it quits in the early 2000s after a run of eight strong, and sadly under-appreciated, albums.

Mother Superior could never break through the flannel-clad ceiling of the grunge era, but they did catch the ear of Anthrax's Scott Ian, as well as punk icon Henry Rollins. In fact, the Jim Wilson-led outfit once served as Rollins' backup band, with session work for the likes of Alice Cooper, U2 producer Daniel Lanois, Meat Loaf, Iggy Pop and many others also on their lengthy list of credits.

Now comes Motor Sister, a quickly thrown together project that grew out of Ian's burning desire to reunite Mother Superior for his recent 50th birthday party, where the groundwork for the Metal Blade Records release of heady, straightforward rock 'n' roll that is Ride was laid. First, there was a quick rehearsal, and then a blazing performance of Mother Superior material from Ian, drummer John Tempesta (The Cult, White Zombie), bassist Joey Vera (Fates Warning, Armored Saint) and Ian's wife Pearl Aday – a frequent collaborator with Wilson on her own solo work – that left the 25 or so people who witnessed it, including some industry types, gobsmacked.


Wasting no time whatsoever, Motor Sister – still basking in the afterglow of that momentous occasion – went into the studio with producer Jay Ruston and knocked out Ride in a couple of days, the organic spontaneity of those sessions emanating from earthy, soulful rockers like "This Song Reminds Me of You" and the sunny Zeppelin-meets-Sly and The Family Stone funk workout "Pretty in the Morning," as well as the swaggering, meaty riff bonanza "Get That Girl."

Reminiscent of the wild, frenzied punk fury stoked by the MC5 in their heyday, "A Hole" and "Fork in the Road" are conflagrations that burn hot and fast, while the hormonal urges of "Beg Borrow Steal" and "Little Motor Sister" – from which the new band's name was taken – have the crunchy, stomping appeal of early KISS or UFO. These old Mother Superior songs didn't need a kick in the ass, but Motor Sister gives it to them anyway, Tempesta's drumming breaking rocks in the hot sun, the sharply defined tones of the guitars rich and powerful, and the trailer-park desperation in the vocalizing of Pearl and Wilson recalling that of X's John Doe and Exene Cervenka, especially in a catchy little slice of up-tempo, Americana-inspired jangle called "Head Hanging Low." And then there's "Devil Wind," where strummed acoustic guitar lends a sense of mystery before giving way to grinding, rumbling metallic riffs, its dual personality, so vulnerable and angry, a vague harbinger of trouble on the horizon.

Hitch a Ride with Motor Sister, and let them take you to a place and time you thought had disappeared, an era when good, honest, simple songwriting and stacks of amplifiers delivered messages of sexual healing, lusty adventure and hard-earned life lessons.
– Peter Lindblad

In stores on March 11, 2015.
Metal Blade Records: Motor Sister