Showing posts with label David Paich. Show all posts
Showing posts with label David Paich. Show all posts

CD Review: Toto – Toto XIV

CD Review: Toto – Toto XIV
Frontiers Music srl
All Access Rating: B+

Toto - Toto XIV 2015
Emblazoned on the cover of Toto XIV is a neon cross, its brightness washing in white light what appears to be a darkened and foreboding, but quiet, alleyway in a crowded Japanese city.

A symbol of hope and optimism, despite all the terrible things done in the name of Christianity down through the years, that sign has taken on special significance with the recent death of former bassist Mike Porcaro, whose struggles with ALS provided the impetus for a 2010 Toto reunion.

Their first record since 2006's Falling In Between for the innovative pop-rock progressives, Toto XIV is typically lush and complex, inspiring and melodic – the rich, dramatic keyboard interplay of David Paich and Steve Porcaro building grand sonic architecture around the always fluid and artful guitar magic of Steve Lukather.

Though bereft of a signature and utterly memorable track, Toto XIV rarely fails to deliver the goods, the noisy, proggy eruptions, rushing piano and unexpected detours down different passageways making a piece like "Holy War" worth exploring again and again. So is the slightly skewed "Chinatown." Brimming with positivity and life-affirming energy, the upbeat opener "Running Out of Time" exhorts listeners to make the most of whatever time they have left on earth and the equally uplifting "Orphan" gives comfort to the lonely, while the more serious and theatrical "Unknown Soldier" argues for peace while grudgingly acknowledging humanity's propensity for war.

Another exercise in wondrous musical diversity and lyrics walking a fine line between banal sentimentality and deep meaning, Toto XIV swims in comforting pools of pop, blues, jazz and rock, getting lost in the smoky atmosphere of "21st Century Blues," letting the bittersweet "Burn" stew in smoldering regret and growing wistful in the charming "The Little Things." The sound and production of Toto XIV, out via Frontiers Music srl, are familiar, and the material is as accessible as ever, Joseph Williams' passionate singing adding conviction to Toto's lyrics. Maybe their ready to write a new chapter, but Toto seems averse to changing the formula that got them this far.
– Peter Lindblad

CD/DVD Review: Toto – 35th Anniversary Tour: Live in Poland

CD/DVD Review: Toto – 35th Anniversary Tour: Live in Poland
Eagle Rock Entertainment
All Access Rating: B+

Toto - 35th Anniversary Tour:
Live in Poland
Europe got its fill of Toto in 2013, as the neo-progressive soft-rock idealists celebrated their 35th anniversary with a glorious 29-city tour of the continent that included a stop in Lodz, Poland, where a packed house greeted them with unabashed joy and exuberance.

Toto returned the favor, putting on a spectacular two-hour performance that was joyous, poignant and entirely free of soul-sucking cynicism, traipsing through a life-affirming set list of expected hits and a few forgotten treasures that prove deserving of reassessment. 

Vividly filmed for a DVD release that comes with a nicely edited, engaging, career-spanning set of interviews, "35th Anniversary Tour: Live in Poland" is also available on Blu-ray, as a two-CD set and a deluxe edition from Eagle Rock Entertainment, and it is a vivid spectacle of sound and vision. With superb camera work that alights on Steve Lukather's breathtaking, uniquely engrossing guitar solos, focuses the spotlight on Joseph Williams' commanding vocals and dynamic stage presence, and glows with warmth, "35th Anniversary Tour: Live in Poland" is a dazzling, intoxicating showcase of Toto's ability to connect with its fans on a level that's not exactly intimate, but it is powerful.

Superb camera work captures the sterling interplay of Toto's core members, these veteran session musicians, whose contributions are found on an astonishing 5,000 albums, ably balancing progressive-rock ambition with jazz fusion and R&B influences, and transitioning to lush pop soundscapes without missing a beat. Theatrical at times, as they revel in the keyboard bombast of the Yes-like "St. George and the Dragon," where keyboardists David Paich and Steve Pocaro set off a glorious aural display, Toto also eases comfortably into the tropical pop longing of "Africa" with grace, injects energy and passion into "Rosanna" and builds dramatic tension in another crowd favorite, "Hold the Line."

Whether its the languid Spanish guitar Lukather expertly negotiates on "The Muse" or the proggy time changes so deftly navigated throughout a stirring version of "Better World," Toto can still gently break hearts with aching, affecting renditions of "I'll Be Over You" and "99" while managing to maintain a seriousness about their craft. And the watery "Hydra," with its light funk grooves, prove that prog and R&B can coexist.

Both respected for their musicianship and derided for their overly sentimental pop excesses, Toto has always left itself open to criticism that's both fair and just, and yet, they continue down the road as they always have, taking the paths they want to take and not giving one jot for those who find them cloying or insincere. Though completely over the top and so slickly produced that it comes off as glitzy as Vegas, this cinematic extravaganza could win over new converts.
– Peter Lindblad