CD Review: Loudness – Eve to Dawn
FrostByte Media
All Access Review: B+
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| Loudness - Eve to Dawn 2012 |
Unlike their English counterparts, Loudness did not have the
benefit of riding any “New Wave of Japanese Heavy Metal” to glory overseas. Until
high-voltage guitarist Akira Takasaki and drummer Munetaka Higuchi left their
old band Lazy and unleashed Loudness in the East – the Far East that is – in
1981, relatively few Japanese music observers gave hard rock and heavy metal a
second thought. To them, such noxious noise held little potential for
commercial gain. If the scene wasn’t dead, it was at the very least comatose
and in dire need of resuscitation.
Into this power vacuum stepped Loudness, not cautiously but
rather with all the smoldering, pent-up intensity and commanding authority of a
deposed emperor looking to avenge a palace coup. By way of introduction,
Loudness’s sizzling debut album, The
Birthday Eve, rained down torrents of Takasaki’s sulfuric riffs and molten
solos down upon a nation that didn’t know it was thirsting for the hard stuff.
Like a shot of grain alcohol, it didn’t go down smoothly, but it did pack quite
a wallop. On top of that, Loudness’s first live appearance was a sellout, and each
succeeding record brought increasing sales – leading some to think that
Loudness, despite the obvious obstacles of language, cultural differences and an
ocean of distance, could repeat that success in America.
And they did – to some extent. Thunder in the East, the band’s initial U.S. release, crawled its
way onto the Billboard charts and camped out for 19 straight weeks, topping out
at No. 74. Loudness then went on the attack with Lightning Strikes, which surged as high as No. 64 before hitting a
plateau; by that time, so had Loudness. The American invasion that held so much
promise had fizzled. In the aftermath, there was a sense that Loudness could
have been bigger worldwide, that for some reason they’d succumbed to commercial
pressure and pulled their punches on their U.S. recordings.
Free of such crass concerns today, Loudness holds nothing
back on the hot-wired new FrostByte Media LP Eve to Dawn,
an album that toggles between furious thrash, melodic power metal and traditional
chrome-plated metal – see the Judas Priest-like charge of “Hang Tough” – with wild
abandon. It’s not garage rock, but Eve to
Dawn, so full of vitality, feels as if it was birthed in one, brought into
this world kicking and screaming from the top of its lungs. Far from polished,
it would be unduly harsh to call Eve to
Dawn sloppy, but it is an untidy recording. Still, warts and all, Eve to Dawn is compelling, zapping “Come
Alive Again” with a TASER full of electricity and landing a flurry of
devastatingly heavy, teeth-rattling haymakers like the stampeding “Survivor,”
the grinding “Pandra” and “The Power of Truth,” an absolute wrecking ball of a
song caught in a hurricane of drums. Going for the knockout every time, singer
Minoru Niihara – that raw, banshee-like wail of his raising the hair on the
back of necks from Tokyo to Tallahassee – goes looking for a fight on the
bruising rumble “Gonna Do It My Way” and defiantly scratches out a list of
society’s ills on the nasty, hook-happy closer “Crazy! Crazy! Crazy!”
But the man everybody pays to hear is Takasaki, and he is in
rare form. A supremely skilled craftsman, Takasaki specializes in the kind of flashy,
spectacularly frenzied and diverse shredding heard everywhere on Eve to Dawn, with special consideration
given to the dazzling solos in “Keep You Burning,” “Pandra” and the ambitious
“Comes the Dawn,” mostly a seven-minute riff orgy with cutting violins and
sinister bass lines that bow to Takasaki’s fleet-fingered fretwork. The thunder
in the East is louder than ever.
-
Peter Lindblad
