DVD Review: Eric Clapton – Planes, Trains and Eric

DVD Review: Eric Clapton – Planes, Trains and Eric
Eagle Rock Entertainment
All Access Rating: B+

Eric Clapton - Planes, Trains and Eric 2014

Japan won't be seeing much of Eric Clapton anymore, that is if the blues-rock guitar legend sticks to his plan to retire from touring when he hits 70 years of age next spring.

Worn out from the rigors of traveling across the globe and performing in far-flung locales for years, Clapton has earned some much-needed rest, and if that means the end of playing in perhaps his favorite place on earth, so be it. Clapton will miss the Land of the Rising Sun, though.

That much is apparent from "Planes, Trains and Eric," an intimate and revealing new documentary film from Eagle Rock Entertainment that follows ol' "Slowhand" on the Far and Middle Eastern leg of his 2014 World Tour, a bittersweet sense of finality hanging over the proceedings.

During an incandescent acoustic reading of "Layla," one of 13 live full live performances of Clapton favorites included here, Clapton expresses his fondness for Japan, adding, "I've been coming here since before some of you were born." His deep respect for the kindness and integrity of its people shining through in reflective and unguarded interviews with Clapton, with much attention paid to his enduring friendship with his concert promoter in Japan, Mister Udo, who Clapton says helped him through "the dark days."

These are happier times for Clapton, who leads his band here through a vigorous, stirring rendition of "Pretending" that simmers and smolders, while "I Shot the Sheriff" protests peacefully and quietly, "Wonderful Tonight" glows and sparkles, and rollicking versions of "Tell The Truth," "Crossroads" and "Key to the Highway" swing and roll with bluesy abandon – all of it played with both a freewheeling, if also somewhat restrained, spirit, an undeniably strong group chemistry and sunny warmth. At times, Clapton seems to turn the stage into a homey back porch, just strumming and picking away at his guitar in front of a circle of friends, but there are other moments where he is still electrifying, displaying that deft, lightning-quick touch and preternatural feel that still leave worshippers slack-jawed.

The rest of "Planes, Trains and Eric" is as much an artfully pieced together tour diary as anything else. There are brief snippets of rehearsal and sound-check footage, meaningful behind-the-scenes interaction, informal presentations related to Clapton's 200th show in Japan – as well as a mention of his 86th performance at Budokan, the most ever by a foreign artist – and scenes from cars, airports and train stations that help the narrative flow. Candid interviews with drummer Steve Gadd, Hammond organ player Paul Carrack, bassist Nathan East, keyboardist Chris Stainton and backing vocalists Michelle John and Shar White reveal much about the inner workings of Clapton and those musicians in his employ, adding rather wistful commentary on the possibility that this just might be it for him.

Blind Faith, Cream, The Yardbirds, Derek and the Dominos, John Mayall's Bluesbreakers, not to mention his own multi-platinum solo work ... that's an impressive musical history to say the least. "Planes, Trains and Eric" doesn't get into all that, nor does it delve into those scandalous "dark days" Clapton spoke of to provide some sense of context for those words, choosing instead to stay in the moment and give a sense of what it's like for an aging superstar to let go gracefully, with dignity and good humor.
– Peter Lindblad

Book Review: If You Like Led Zeppelin ...

Dave Thompson – If You Like Led Zeppelin …

Backbeat Books

All Access Review: A-

Led Zeppelin - If You Like Led Zeppelin ... 2012

Few bands in the history of rock have a more complicated genealogy than the mighty Led Zeppelin, the pitiless thunder gods of 1970s blues-heavy proto-metal who came and conquered, before losing the seemingly indestructible John Bonham to excessive drinking and stopping cold turkey. The job of making sense of it all falls to veteran music scribe Dave Thompson, whose latest book is an immersive exploration of a tangled rock-and-roll ancestry and yet, true to Thompson’s irreverent manner and devilishly clever writing style, it’s not at all stuffy or pedantic. Even while studying both Zeppelin’s DNA and that of its vast progeny with a scrupulous eye for detail, Thompson breathes new life into what had become a dusty, lifeless history, allowing it to unfold in the most remarkably casual manner.

One of Thompson’s greatest strengths as a writer lies in making connections that not everybody sees and then weaving disparate strands of information and insight into entertaining, gently provocative prose. And although Backbeat Books' “If You Like Led Zeppelin …” has the potential to start heated arguments, it slyly eats away some of the Zeppelin mystique without thoroughly destroying it, and for that, it deserves acclaim. Thompson is practically embedded with Jimmy Page and John Paul Jones in the studio as they grinded out their early session work, and when it comes to unpacking the unruly story of the Yardbirds and all their personnel changes, Thompson is the perfect guide, pointing out the not-so-obvious key events and turning points in their brief, but influential, existence. Similarly, he transports readers back to the vibrant music scenes of late-1960s England – the British blues boom drawing particular interest – that feed Zeppelin’s esoteric tastes, while never shying away from the less savory and downright despicable aspects of the band’s wilder adventures. Legendary for his anger, John Bonham, as Thompson writes, is said to have once held a man over a balcony, 20 floors from the ground, by his ankles after the unfortunate bloke made a joke about drummers. And you thought only hip-hop moguls pulled those kinds of reckless stunts.

Ah, it’s only rock ‘n’ roll, though, and this is, for the most part, a celebration of Zeppelin’s genius and what artists – including folk (Roy Harper, most of all) and blues (Howlin’ Wolf, in particular) legends – left their mark on the collective consciousness of Page, Bonham, Jones and Robert Plant. Casting his net far and wide, Thompson illuminates Zeppelin’s relationships – however slight or indirect – with everybody from Jeff Beck to Fleetwood Mac’s Peter Green, 10cc and Graham Gouldman, The Beatles, John Mayall, Bob Dylan, Joan Baez, Fairport Convention, Syd Barrett and Pink Floyd, and Cliff Richard, to name but a few. Even bit players like Mickie Most – a minor figure to most, although many will surely recognize the name and know his place in rock history – find themselves written about extensively in Thompson’s tome, as anecdotes about the inner workings of the music business are discussed with a mixture of levity and dead seriousness.

Only 188 pages in length, “If You Like Led Zeppelin …” has more to offer than dry facts and faded nostalgia. Along with an objective autopsy of Zeppelin’s Swan Song, the vanity label they started at a time when everybody was doing it, Thompson lists his 40 favorite Zeppelin covers and surveys their TV and movie appearances – material that, while mildly interesting, seems very much like filler. Nonetheless, Thompson’s work, while far from comprehensive, is a ripping yarn, well-paced and informative. Spreading its seed far and wide, Zeppelin influenced everybody from Soundgarden to Heart, Whitesnake, the Black Crowes and all those denim-and-leather-clad hellions of the New Wave of British Heavy Metal, along with countless others. In turn, Bonzo, Jones, Page and Plant had their own spirit guides from the worlds of the blues, folk and other ethnic traditions, and Thompson has tied it all together in a neat little package, recommending more than 200 other bands, records, films and other ephemera you might enjoy if Zeppelin just happens to be your cup of tea.

- Peter Lindblad