ALL ACCESS: Sandy Gennaro

CD Review: Pat Travers Band – Live at the Iridium NYC
Frontiers Music Srl
All Access Rating: B+

Pat Travers Band - Live at
the Iridium NYC 2014

Obviously feeling his oats, Pat Travers isn't lacking for confidence when he declares that he's "going to kick your ass" to the crowd at the famed Iridium Club in New York City.

In February 2012, while out on tour with a reunited Pat Travers Band, the fiery guitarist did just that, showcasing a variety of electrifying, finely honed chops in a feverish two-night binge of no-nonsense, working-class blues rock. Perhaps not quite as essential as his 1979 classic concert LP Live! Go For What You Know, Live at the Iridium NYC is energetic, joyous and occasionally stylish, the sizzling funk of "Gettin' Betta" eating the exhaust of a full-throttle "Rock and Roll Suzie" – complete with perfectly in sync dual lead guitars – with the smoky, simmering blues of "Crash and Burn" slinking into a blazing version of "Heat in the Street."

Bold, assertive and galvanizing, the Pat Travers Band – with Sandy Gennaro back on drums – is a finely tuned engine on Live at the Iridium NYC, able to downshift into a smoldering version of Ray Charles' "I've Got News for You" and cook it slowly, before turning around and whipping a celebratory "Ask Me Baby" into shape, although its "Josephine" that sparkles and shines like a cut-glass tumbler full of whisky on the rocks. Its mix of melodic toughness and sweetness goes down easy, but with a slight burn.

Recorded with full-bodied sound and warm clarity, Live at the Iridium NYC is a fine survey of Travers' illustrious career, even if it doesn't approach this kind of music in a particularly fresh or innovative way – not that it has to, considering the high level of performance and raw vitality here. Little additions, like Jon Paris playing blues harp with great feeling on "If I Had Possession Over Judgment Day" and "Spoonful," make for a wonderful listen, with inspired choices all over the set list and Travers' smoking licks laying out a case for him to be mentioned among the all-time guitar greats. The evidence is overwhelming. https://www.facebook.com/frontiersmusicsrl?fref=nf
– Peter Lindblad

CD Review: Pat Travers Band – Can Do

Frontiers Records

All Access Rating: B+

Pat Travers Band - Can Do 2013

Nobody’s found the switch yet to turn out the lights on Pat Travers. Approaching age 60, he can still coax beautiful melodies and electrifying power from an amplified guitar and get it to speak fluently in multiple tongues, such as powerhouse hard rock, hot funk and cool soul grooves, smoky blues and emotional balladry.

His conversations are simple and heartfelt these days, like those conducted in a dark, lonely tavern between two used-up people who don’t have the heart to lie anymore. Here’s one more for the road.

Lively, gritty and at times stylish, with spotless production, Can Do finds the Pat Travers Band talking in simple languages everybody from the hopeless romantic to the working-class slob can understand, setting hooks that have a firm grip and an easy logic. The latest studio album from the Toronto-born guitar slinger is by turns thoughtful and reflective, as the glassy serenity and breezy warmth of “Diamond Girl” and the wistful “Wanted (That was Then/This is Now)” so effectively illustrate, and vigorously defiant, shaking his fist at Father Time in rugged, driving rockers like “Stand Up/Give It Up,” “Armed and Dangerous” and “Long Time Gone,” a nod to Mountain’s “Mississippi Queen” where his clearly defined guitars are searing.

Nowhere near as explosive or as sweaty as the classic Live! Go for What You Know concert LP and somewhat reserved in parts, Can Do is still mostly a spirited romp through Travers’ past and present circumstances, as the feverish title track surges and smolders in the heat of a summer night and the sparkling “As Long As I’m With You” unabashedly wallows in the joys of a real, warts-and-all love. Reinvigorated by his new relationship with Frontiers Records, Travers brings together a band of brothers that includes bassist Rodney O’Quinn, second guitarist Kirk McKim and the prodigal drummer Sandy Gennaro on drums, and they serve the songs well.

It’s a tight unit that’s in perfect sync with Travers’ many moods, weaving wonderful harmonics together in lovely figures when the occasion calls for it and then shifting into riff-heavy rock ‘n’ roll overdrive on Travers’ command, sliding comfortably into the utterly infectious blues grooves of “Dust & Bone,” a delicious bite of tasty blues-rock Aerosmith would have given up heroin for in the ‘80s, and allowing the melodic movements of “Waitin’ on the End of Time” to breathe.

Want to hear Travers stretch out and really show the kind of diversity and creativity he’s capable of? The beguiling instrumental “Keep Calm and Carry On” explores every facet of his skillful, classy playing, displaying a deft touch, cleverly executed maneuvers and a nice warm feel that are as apparent in the quieter, softer moments as they are when volcanic eruptions explode from his instrument. Is slide guitar your thing? He can reel off steely licks in his sleep. And if you want this Canadian to channel Lynyrd Skynard and fry up some high-energy Southern rock, there’s the boisterous “Red Neck Boogie” to scratch that itch. The charms of Can Do will bloom, just not right away. Wait for it. Your patience will be rewarded. http://www.frontiers.it/

– Peter Lindblad