All Access - The David Frangioni Collection

Backstage Auctions Presents The All Access David Frangioni Collection 

Featuring hundreds of pieces of rare music memorabilia, including historical drum kits, drums, gear and more 

Terry Bozzio Drum Kit

Houston, TX - February 12, 2019 – Backstage Auctions, Inc presents the upcoming “All Access David Frangioni” auction event which will feature a host of impressive and historic rock and audio memorabilia including drums and drum kits, audio equipment, and more, from award-winning audio engineer, author, and collector David Frangioni. The auction will go live on March 16, 2019 with a special VIP preview of the entire online catalog beginning on March 9, 2019.

Complete, historic drum kits will be up for auction, including those from legendary drummers such as Carl Palmer, Carmine Appice, Eric Singer, Terry Bozzio, Gregg Bissonette, and Mike Portnoy. There is an overwhelming assortment of Carl Palmer, Asia and ELP road cases, gear and equipment, as well vintage road cases that belonged to Cozy Powell from his Black Sabbath years. Dozens of collectible snare drums and an exciting offering of vintage recording studio equipment will be up for auction.

The exclamation point to this auction will come in the form of a broad selection of A-level memorabilia related to KISS, ELP, The Beatles, Rolling Stones, Led Zeppelin, Pink Floyd, RUSH, AC/DC, Michael Jackson, Aerosmith, Black Sabbath & Ozzy Osbourne, U2, Van Halen, Metallica, Motley Crue and many others.

Frangioni is a music industry veteran who amassed this collection through years of professional drumming and audio expertise. After beginning his career working with Aerosmith for 13 years, Frangioni received many gold and platinum albums as technical consultant, engineer, and/or programmer, who later worked with industry icons including the Stones, Ringo Starr, Elton John, Sting, Bryan Adams, Journey, Styx, Phil Collins, Shakira, Rascal Flatts, Ozzy Osbourne, and Chick Corea. The majority of his unmatched collection of historic drum kits, equipment, and memorabilia, which have been either acquired at auction or through his music industry relationships, was on display in his book “Crash: The World’s Greatest Drum Kits from Appice to Peart to Van Halen.”

Backstage Auctions owner Jacques van Gool comments: “David’s collection is a fascinating mixture of historic drum kits, snare drums, recording studio used equipment, legendary road cases, and an impressive offering of traditional music memorabilia. Whether you’re a drum enthusiast, gear head, or straight-up collector, this auction will offer something for everyone. David Frangioni is a top authority on everything drums, and his private collection is second-to-none. Combined with his credentials in the recording and music technology arena and you know that you’re hosting a most intriguing auction.”

“Working alongside many of these legends has been a dream, and I’ve been fortunate to have and appreciate many of these amazing pieces that are monuments of the rock industry,” said David Frangioni. “I wanted to give back some of the music history that I’ve collected to the audio, music, and drumming fans around the world.”

The All Access David Frangioni Auction beings with a preview of the catalog on March 9, 2019, and is open worldwide from March 16 to March 24, 2019. The auction will be accessible here: Backstage Auctions

For more information and to register for your VIP All Access Pass visit: Backstage Auctions 

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David Frangioni is an award-winning veteran of the music industry, with expertise ranging from being a drummer and producer himself, to an audio consultant, technologist, integrator, and recording engineer. Starting out as a drummer at age 2 and then established his own audio consulting business put him on the map with Aerosmith and led to his work with music icons including the Stones, Ringo Starr, Elton John, Sting, Bryan Adams, Journey, Styx, Phil Collins, Shakira, Rascal Flatts, Ozzy Osbourne, and Chick Corea, to name a few.  David has authored two books under his company Frangioni Media including his books Icon and Crash published by Insight Editions, and continues leading the industry at his company Audio One as well as All Access IDA and his non-profit Frangioni Foundation.



BACKSTAGE AUCTIONS is a boutique online auction house specializing in authentic rock memorabilia and exclusively representing legendary musicians and entertainment professionals directly. Every auction event is unique, reflecting the artist's legacy and chronicles their legendary career. Backstage Auctions has represented dozens of notable and very talented musicians, producers and managers in the music industry.
Backstage Auctions Press Contact:


David Frangioni Press Contact:
Laura Shubel
Caster Communications
frangioni@castercomm.com
401-792-7080

CD/DVD Review: Whitesnake – Live in '84 – Back to the Bone

CD/DVD Review: Whitesnake – Live in '84 – Back to the Bone
Frontiers Music Srl
All Access Rating: A-

Whitesnake - Live in '84: Back to the Bone

Slide It In had everyone hot and bothered in 1984. The first Whitesnake album to chart in the U.S., it eventually went multi-platinum, oozing sex and sweaty machismo from every pore. Even at the ripe old age of 30, it's still a hit with the ladies, or at least it thinks so.

Not everyone was onboard, however, with Whitesnake's transition from gritty blues-rock drifters to glitzy pop-metal sleaze merchants, Slide It In having almost completed the transformation. Original guitarist Micky Moody wanted no part of it, so David Coverdale hired John Sykes from Thin Lizzy, adding to the myriad personnel changes that had already taken place earlier.

From their armchairs, the critics howled, slagging their increasingly glossy, commercial sound and wagging their fingers over what raunchy, immature little boys they'd become, what with their leering sexual innuendo and double-entendres. David Coverdale paid them little mind. Going out on a world tour in support of Slide It In, with a restructured lineup consisting of Sykes, drummer Cozy Powell and bassist Neil Murray, Coverdale wanted to bring audiences to orgasm, dazzling crowds with explosive melodies as big as their hair, ostentatious stage shows and flashy, vigorous musicianship, as they do on Live in '84 – Back to the Bone.

Revisiting a time when Whitesnake was on the cusp, gathering momentum and setting the stage for an even bigger breakthrough to come, this raucous assortment of live audio and visual recordings from Coverdale's private collection, out via Frontiers Music Srl, documents the rip-roaring, untamed manner with which the foursome plied their trade that year. Starting with a blustery march through "Gambler" – the sound somewhat muffled – and "Guilty of Love" and that song's sparkling guitar harmonies, Live in '84 – Back to the Bone settles into an arresting "Love Ain't No Stranger" before kicking up a fuss with a rowdy, stomping "Slow An' Easy" and the rough-and-tumble, red-hot funk of "Ready An' Willing."

A searing guitar solo from Sykes, whose playing here is edgy and wild, and Powell's powerhouse drumming exhibition bracket a haunting reading of "Soldier of Fortune," and the mid-tempo blues of "Crying in the Rain" is executed with a flair for the dramatic. Throw in a rollicking medley of "Gambler," "Guilty of Love," "Love Ain't No Stranger" and "Ready An' Willing" that represents Jon Lord's final performance with Whitesnake – plus a DVD of these performances with extras such as the "Slide it In Slide Show" and snippets of demos from Coverdale gathered in a music bed for your listening pleasure – and this release, celebrating the 30th anniversary of Slide It In, becomes a reminder of how ambitious and riotous this incarnation of Whitesnake was, the sonic clarity of this release capturing the raw energy of the band while, at the same time, exposing all its flaws and imperfections and building up the lusty enthusiasm of its crowds.
– Peter Lindblad

CD/DVD Review: Rainbow – Live in Munich 1977

CD/DVD Review: Rainbow – Live In Munich 1977

Eagle Rock Entertainment

All Access Review: A

Rainbow - Live in Munich 1977 2013

Ritchie Blackmore had run afoul of the law in Vienna, Austria, after attacking a bouncer and dousing him in beer because Blackmore didn’t appreciate the way he was manhandling the patrons. The only problem was his post-Deep Purple project, Rainbow, was supposed to head to Munich, Germany, for a highly anticipated performance that was going to be filmed for German TV.

While Rainbow’s people tried desperately to free Blackmore, they were able to reschedule the event for September 20, 1977, a day after it was originally slated to take place. After much legal wrangling and delays, Blackmore got out, and although he was late in arriving, the legendary guitarist finally made it, none the worse for wear. Motivated to go out onstage and channel any lingering frustration into a performance for the ages, Blackmore is simply mesmerizing on “Live in Munich 1977,” the only known live concert film featuring Rainbow’s Blackmore-Ronnie James Dio-Cozy Powell lineup.

Out now on a rather darkly filmed, yet absolutely captivating, DVD and released as both a double CD and two LPs, the archival “Live in Munich 1977” is dazzling, as Blackmore puts on a jaw-dropping display of technical brilliance, sounding remarkably soulful in parts – especially during a meditative, bluesy interlude in an otherwise explosive 16:25 version of “Man on the Silver Mountain” that blows your hair back – and electrifying in others. It’s not just his agility and quickness that astounds, but also his economy of motion and the sense of purpose in every searing solo or tasty riff. He’s like a calm sniper who never misses his target, and yet he’s capable of unpredictable, noisy outbursts that fuel the energetic, raucous romps through “Kill the King” and “Long Live Rock ‘n Roll” – fueled also by David Stone s boiling keyboards.

And he’s got amazing endurance. Not bound by time restrictions, Rainbow goes off on long, extended journeys through the 27:33 cathedral of sound “Still I’m Sad” and sets their controls for a cosmological, almost supernatural exploration of “Catch the Rainbow” that lasts more than 18 minutes – and not a second of either seems calculated or pretentious. Neither does their smoky treatment of the Deep Purple number “Mistreated,” which morphs from soulful,hard-hitting blues-rock into something more melodic and indescribably spiritual. It’s a devastating performance from Rainbow’s 1977 European tour, given to a frenzied, clapping, packed crowd that is on the verge of jumping out of its collective skin.

That’s the advantage of actually watching this concert, as opposed to simply experiencing it one-dimensionally with your ears. Despite the aged quality of the video, it holds up and the camera work is smart, capturing the intensity and spectacle of Rainbow live with warm, exciting imagery – made all the more colorful by the massive rainbow lighting rig hanging over the stage, washing it in bright neon. The close-up shots of a younger Dio savoring every lyric, shaping the words to his will like a sculptor and delivering them with such deep, almost shamanistic expression, are riveting, as are the images of Powell laying waste to his drum kit with complex, yet punishing, patterns and Blackmore blazing away.

An absolute barn-burner of a live set, “Live in Munich 1977” also carries with it historical significance, as Simon Robinson’s superbly written and well-researched liner notes so effectively illustrate. Augmenting the DVD release are vintage promotional videos of “Long Live Rock ‘n’ Roll,” “Gates of Babylon” and “L.A. Connection” – all of them indispensible pieces of heavy-metal nostalgia from a band at the peak of their powers – and in-depth interviews with Rainbow bassist Bob Daisley and tour manager Colin Hart. A fascinating feature titled “Rainbow over Texas ‘76” is also included that offers more in the way of incredibly raw and vital – although very poor quality – concert footage, as well as insightful commentary and more contextual artifacts for viewers to pore through. Powell’s manic drum solo and Blackmore’s violent mistreatment of his guitar are visceral delights.

Though it does not feature the kind of high-definition photography expected of live DVDs these days, “Live in Munich 1977” – filmed at Munich Olympiahalle – is stunning, an essential archeological treasure that’s been wonderfully preserved. Long live rock ‘n roll, indeed. (www.eaglerockent.com)

-        – Peter Lindblad