CD Review: Paradox – Tales of the Weird
AFM Records
All Access Review: B+
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| Paradox - Tales of the Weird 2013 |
Claudio Bergamin sure has a way with apocalyptic imagery.
His cover art for Tales of the Weird,
the first new album in three years from Germanic thrash/power metal mavens
Paradox, is certainly eye-catching, what with the creepy cloaked figures
wandering about a wintry, burned-out landscape surveying the destruction as
broken pieces of what may be a meteor fall from the sky on what has to be an
alien planet.
Were this the 1980s, that sort of scene on a vinyl sleeve
would have geeky teenage metal fans that had nothing better to do during the
day but hang around record stores frothing at the mouth. This being the digital
age, Bergamin’s imaginative, sci-fi/horror vision simply won’t have the impact
on sales it would in the dwindling brick-and-mortar universe, but it does
accomplish something for Paradox. And that is, it rectifies the cardinal sin of
sequencing Paradox commits by opening the record with the 9:19 title track, an
unwieldy, power-sapping mish-mash of conflicting and unfulfilled ideas that
quickly unravel and fail to gain any real traction – despite some serious guitar shredding and the occasional attention-grabbing riff from Charly
Steinhauer and Christian Munzer.
Hardy and fair-minded listeners who’ve crawled through that
obstacle course of barely listenable challenges are rewarded with action-packed, dizzying
progressive-metal mazes of dramatic arrangements, blinding tempos, pristine
production and spectacular melodies. Among the most gripping and frantic tracks
are “Escalation,” the multi-layered “Brainwashed,” “The Downward Spiral and “Slashdead”
– all of them synthesizing Dream Theater and Metallica in combining fluid, fleet-fingered fretwork, flights of classical bombast
and pounding, frenzied rhythms as unstoppable as a runaway train. Heavier than
most of Tales of the Weird, but still
fast as can be, “Brutalized” is Paradox on steroids, yet floating over this
riotous, skull-crushing mayhem going on at street level is this strangely
beautiful little guitar melody that somehow avoids being sucked into the tumult.
Look for it and don’t miss it, make sure to stop and appreciate the pretty,
well-designed acoustic guitar interlude “Zeitgeist” – they could get lost
in all the brazen firepower Paradox unloads on Tales of the Weird.
Still, it all comes together for Paradox on the expansive
and melodic “Fragile Alliance,” a raging river of monstrous, thick riffage, power-metal
theatrics and vast, canyon-like vocal choruses. And yet for all of its extraordinary
technical brilliance, its racing blend of power and speed, and its sheer
immensity, Tales of the Weird suffers
somewhat from ... well, a paradox. Trying to balance the desire to thrash like there’s no tomorrow with a flair for the dramatic is tricky for Paradox, especially with a singer whose strength is dynamic expression rather than brute force. Furthermore, the listener fatigue that comes with being bombarded
every possible moment with instrumental fireworks is a very real problem. Paradox
has the best of intentions with their cover of Rainbow’s “A Light in the Black,”
but it’s too much, with whirls of synthesizer competing against a sensory overload of their own creation. And yet “Tales of the Weird” is a real page-turner once you get past the first chapter. (www.afm-records.de)
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Peter Lindblad
