Showing posts with label Gregg Bissonette. Show all posts
Showing posts with label Gregg Bissonette. Show all posts

Historical Drum Kits Up for Auction in March


All Access - The David Frangioni Collection
VIP Preview Dates: March 9 - 15, 2019
Auction Dates: March 16 - 24, 2019

Backstage Auctions upcoming March auction event will feature a wide array of music memorabilia direct from the personal collection of award-winning audio engineer, author, and collector David Frangioni. The auction will go live on March 16, 2019 with a special VIP preview of the entire online catalog beginning on March 9, 2019.

One of the many highlights of the auction is the amazing selection of drum kits being offered up by Frangioni. Each kit has it's own history and unique collectible attributes.

Carl Palmer's Warm Up Kit:  Palmer is unlike most drummers in many ways, having established himself as an iconic drummer, being inducted into the Modern Drummer Hall of Fame in 1989. Also unlike most drummers, he had a custom-made Drum Workshop warm-up kit for practice backstage while on tour in the 1990s with Asia and ELP. The kit consists of two 22 inch single headed bass drums, 12, 14, 16 and 18 inch single headed toms, with 16 and 18 inch toms are signed by Palmer. This kit is still in great shape, and was directly purchased by David Frangioni from Carl Palmer.


Carmine Appice’s Slingerland Cactus Kit: Appice’s Slingerland Leopard kit was created custom for him, with maple shells featuring a custom leopard lacquer finish -  showing off his love for the print highlighted with gold-plating.  David Frangioni purchased this kit directly from Carmine, after it was played in performances with Cactus and The Vanilla Fudge from 2004 to 2008. The set was made by Slingerland in Conway, AK, and features 9-inch by 12-inch and 10-inch by 13-inch rack toms mounted on a floor stand, 16-inch by 16-inch and 16-inch by 18-inch floor toms, and two 16-inch by 22-inch bass drums with the Cactus logo. 



Eric Singer KISS Kruise Kit:  Each year since 2011, KISS unites its fans on the high seas by hosting its annual KISS Kruise. This Pearl drum kit was created custom for Eric Singer to be played on the 2015 Kruise, designed to match KISS’s 1975 “Alive” album. It’s a relatively simple configuration for Eric, with five single-headed concert toms, two floor toms, and two bass drums all in a black gloss finish with the snare drum in green sparkle. The bass drum head features the KISS logo and is signed by all current members (Gene Simmons, Paul Stanley, Tommy Thayer and Eric Singer).   The drum kit consists of an 8, 10, 12, 13 and 14 inch single headed concert toms, 14 x 14, 16 x 16 and 16 x 18 inch floor toms and two 18 x 22 inch bass drums (one extra), and it comes with four 19 inch crashes, a 20 inch ride, 17 inch china, and a pair of hi-hats and a LP chrome cowbell. 



Gil Moore’s Triumph Tama Imperial Star Kit:  Gil Moore played this custom Tama Imperial Star 13-piece drum set during with Triumph in 1981 on the tour for the Allied Forces album. It was an early piece for the then-young Tama brand, and can be seen in the promo video for the album, denoted from the high-gloss black wrap and black dot heads that look like bull’s-eyes. The set includes 6, 8, 10, 12, 13, 14, 15 and 16 inch single headed concert toms, 16 and 18 inch floor toms, two 22 inch bass drums and a 14 × 5 inch chrome snare drum. 


Mike Portnoy Dream Theater "Siamese Monster" Kit:  Mike Portnoy played this custom Tama logo kit from 2002 to 2004 with Dream Theater. When working with Tama to design the kit, Mike imagined two conjoined drum kits and so it was rightfully nicknamed the “Siamese Monster.” It’s one of the largest and most-recognizable kits, and can be heard on with Dream Theater on the “Six Degrees of Inner Turbulence” album and seen on the 2002 “Six Degrees / World Tourbulence Tour” and the 2004 “Train of Thought Tour.”   The kit comprises 19 individual drums: Four deep shelled octobans (6 inch diameter, single-headed melodic toms) on the left side of the kit and two shallow shelled ones on the right. An LP Tito Puente timbale is on the far left side of the kit. From left to right the rack toms measure 8 x 8, 9 x 10, 10 x 12, 10 x 14 and 9 x 13 inches. A 6 x 10 inch time tom sits between a 5 ½ x 14 inch wood snare drum on the left and a 5 x 12 inch hammered steel snare drum on the right. The floor tom measures 16 x 18 inches, and the gong bass drum behind it has a 22 inch drumhead stretched timpani-style over a 20 inch drum shell. The two large bass drums are 18 x 22 inches and the smaller one is 16 x 20 inches. With the exception of the timbale, all of the drums feature black gloss decorated with Dream Theater logos in purple. 


Terry Bozzio Drum Workshop Collectors Series Kit: Terry Bozzio flexed his impressive drumming chops with this custom Drum Workshop Collectors Series Maple kit for the U.K. 2012 Reunion Tour. At the time it was assembled, this kit cost $65,000.00 and took over 30 hours to be built from scratch by Victor Salalzar, the former owner of Vic's Drum shop in Chicago. The maple drums have custom chrome wrap, with two woofers, one snare drum, five piccolo toms, and ten assorted rack toms and floor toms all signed by Terry.   The kit is so big that it barely fit on stage, featuring 50 Sabian cymbals from the Radia series that Terry himself developed with Sabian, of which the majority are autographed by Terry. 



Gregg Bissonette’s Pearl David Lee Roth Band Skyscraper 1988 Tour Kit:  Gregg Bissonette played this custom Pearl kit on the David Lee Roth Band’s 1988 Skyscraper Tour. This kit was designed with a “skeleton effect” intended to surprise audiences, where all of the drum shells would appear to disappear when bathed in colored white, and only the stark white hardware would show from the stage.

Gregg played the set used early in his legendary career, most notably during David Lee Roth’s 1988 “Skyscraper” tour and the “Just Like Paradise” and “Stand Up” music videos. This set went around the world with him on tour, and while it still sounds amazing, it shows wear-and-tear with a few chips and nicks on the black lacquer finish and the bass drum. Gregg continued to play this kit in personal practice after it was finished touring with him in 1989, and was purchased directly from him by David Frangioni.

The configuration includes 8" × 8", 10" × 10", 10" × 12", 11" × 13", 12" × 14", 12 × 15", and 14" × 16" rack toms; 18" × 18" and 18" × 20" floor toms; one 8" × 14" Pearl Free Floating snare drum; one 16" × 24" gong bass drum; and two 36" × 24" bass drums.




The All Access David Frangioni Auction begins with a PREVIEW of the catalog on March 9, 2019, and is open worldwide bidding from March 16 to March 24, 2019. The auction will be accessible here: Backstage Auctions

For more information and to register for your VIP All Access Pass visit: Backstage Auctions 

We also invite you to get social with us on:  Facebook  -  Twitter  - Instagram



David Frangioni is an award-winning veteran of the music industry, with expertise ranging from being a drummer and producer himself, to an audio consultant, technologist, integrator, and recording engineer. Starting out as a drummer at age 2 and then established his own audio consulting business put him on the map with Aerosmith and led to his work with music icons including the Stones, Ringo Starr, Elton John, Sting, Bryan Adams, Journey, Styx, Phil Collins, Shakira, Rascal Flatts, Ozzy Osbourne, and Chick Corea, to name a few.  David has authored two books under his company Frangioni Media including his books Icon and Crash published by Insight Editions, and continues leading the industry at his company Audio One as well as All Access IDA and his non-profit Frangioni Foundation.

David Frangioni Press Contact:
Laura Shubel
Caster Communications
frangioni@castercomm.com

401-792-7080



BACKSTAGE AUCTIONS is a boutique online auction house specializing in authentic rock memorabilia and exclusively representing legendary musicians and entertainment professionals directly. Every auction event is unique, reflecting the artist's legacy and chronicles their legendary career. Backstage Auctions has represented dozens of notable and very talented musicians, producers and managers in the music industry.
Backstage Auctions Press Contact:





All Access - The David Frangioni Collection


Backstage Auctions Presents The All Access David Frangioni Collection 

Featuring hundreds of pieces of rare music memorabilia, including historical drum kits, drums, gear and more 

Terry Bozzio Drum Kit
Houston, TX - February 12, 2019 – Backstage Auctions, Inc presents the upcoming “All Access David Frangioni” auction event which will feature a host of impressive and historic rock and audio memorabilia including drums and drum kits, audio equipment, and more, from award-winning audio engineer, author, and collector David Frangioni. The auction will go live on March 16, 2019 with a special VIP preview of the entire online catalog beginning on March 9, 2019.

Complete, historic drum kits will be up for auction, including those from legendary drummers such as Carl Palmer, Carmine Appice, Eric Singer, Terry Bozzio, Gregg Bissonette, and Mike Portnoy. There is an overwhelming assortment of Carl Palmer, Asia and ELP road cases, gear and equipment, as well vintage road cases that belonged to Cozy Powell from his Black Sabbath years. Dozens of collectible snare drums and an exciting offering of vintage recording studio equipment will be up for auction.

The exclamation point to this auction will come in the form of a broad selection of A-level memorabilia related to KISS, ELP, The Beatles, Rolling Stones, Led Zeppelin, Pink Floyd, RUSH, AC/DC, Michael Jackson, Aerosmith, Black Sabbath & Ozzy Osbourne, U2, Van Halen, Metallica, Motley Crue and many others.

Frangioni is a music industry veteran who amassed this collection through years of professional drumming and audio expertise. After beginning his career working with Aerosmith for 13 years, Frangioni received many gold and platinum albums as technical consultant, engineer, and/or programmer, who later worked with industry icons including the Stones, Ringo Starr, Elton John, Sting, Bryan Adams, Journey, Styx, Phil Collins, Shakira, Rascal Flatts, Ozzy Osbourne, and Chick Corea. The majority of his unmatched collection of historic drum kits, equipment, and memorabilia, which have been either acquired at auction or through his music industry relationships, was on display in his book “Crash: The World’s Greatest Drum Kits from Appice to Peart to Van Halen.”

Backstage Auctions owner Jacques van Gool comments: “David’s collection is a fascinating mixture of historic drum kits, snare drums, recording studio used equipment, legendary road cases, and an impressive offering of traditional music memorabilia. Whether you’re a drum enthusiast, gear head, or straight-up collector, this auction will offer something for everyone. David Frangioni is a top authority on everything drums, and his private collection is second-to-none. Combined with his credentials in the recording and music technology arena and you know that you’re hosting a most intriguing auction.”

“Working alongside many of these legends has been a dream, and I’ve been fortunate to have and appreciate many of these amazing pieces that are monuments of the rock industry,” said David Frangioni. “I wanted to give back some of the music history that I’ve collected to the audio, music, and drumming fans around the world.”

The All Access David Frangioni Auction beings with a preview of the catalog on March 9, 2019, and is open worldwide from March 16 to March 24, 2019. The auction will be accessible here: Backstage Auctions

For more information and to register for your VIP All Access Pass visit: Backstage Auctions 

We also invite you to get social with us on:  Facebook  -  Twitter  - Instagram



David Frangioni is an award-winning veteran of the music industry, with expertise ranging from being a drummer and producer himself, to an audio consultant, technologist, integrator, and recording engineer. Starting out as a drummer at age 2 and then established his own audio consulting business put him on the map with Aerosmith and led to his work with music icons including the Stones, Ringo Starr, Elton John, Sting, Bryan Adams, Journey, Styx, Phil Collins, Shakira, Rascal Flatts, Ozzy Osbourne, and Chick Corea, to name a few.  David has authored two books under his company Frangioni Media including his books Icon and Crash published by Insight Editions, and continues leading the industry at his company Audio One as well as All Access IDA and his non-profit Frangioni Foundation.



BACKSTAGE AUCTIONS is a boutique online auction house specializing in authentic rock memorabilia and exclusively representing legendary musicians and entertainment professionals directly. Every auction event is unique, reflecting the artist's legacy and chronicles their legendary career. Backstage Auctions has represented dozens of notable and very talented musicians, producers and managers in the music industry.
Backstage Auctions Press Contact:


David Frangioni Press Contact:
Laura Shubel
Caster Communications
frangioni@castercomm.com
401-792-7080




Heart Of Storm merges dance and rock

Supergroup convenes to back Russian ballet

Heart Of Storm is a live mix of
rock music and Russian Ballet.
Take the glitzy bravado and loud bluster of a rock concert, pair it with the athletic beauty of Russian ballet and it all adds up to Heart Of Storm.

A unique artistic and cultural experience, Heart Of Storm will make its premiere in Los Angeles on Friday, July 24, and Saturday, July 25, at the Orpheum Theatre.

As for the all-star band that will be accompanying the dancers live, it'll feature many familiar names, including keyboardist Derek Sherinian (Dream Theater), drummer Gregg Bissonette (Ringo Starr, Electric Light Orchestra), guitarist Doug Aldrich (Whitesnake, Dio) bassist Tony Franklin (The Firm, Jimmy Page, Paul Rodgers), Brent Woods (Warrant, Sebastian Bach), and saxphonist Brandon Fields (Tower Of Power, George Benson).

They teamed up with talented young Russian-Korean choreographer Stas Tsoy to tell the tale of a young major named Storm as he travels the labyrinthian depths of life, death and love with stunning visuals and powerful, and oftentimes symphonic, music. The dancing talent spans the Bolshoi Theatre, Swan Lake and the Nutcracker. Visit www.redrockballet.com for more information. To get tickets to the show, go to tickets@redrockballet.com.

Sherinian, Bissonette, Aldrich and Franklin took time out to talk about the project in this interview:

When did the whole idea for Heart Of Storm evolve from? What sparked it for you?
Derek Sherinian: The creator Alex Semenov approached me in late 2013 to produce and play on a rock instrumental record. Alex decided to have choreographed ballet performing live along witha rock band, he found Stas Tsoy, a talent Russian-Korean choreographer, and this sounded like an exciting, unique opportunity to me.

What was your vision for this artistically? What message do you guys want to get across? What should people walk away with?
Doug Aldrich: Artistically, I thought this was a cool fusion of arts, and I wanted an opportunity to push myself in some new directions after Whitesnake. This was really something interesting and obviously with a great bunch of friends that also happen to be at the top level as musicians. I hope to have people walk away feeling happy to see and hear something fresh that is a new idea.

Derek Sherinian: Heart Of Storm is Alex Semenov's vision. My job is to help him see his vision through on the musical end.

Tony Franklin: Heart Of Storm is part rock show, part Russian ballet – with a killer band, featuring top-name rock musicians – and world-class Russian ballet. "Storm" is the main character, and the storyline follows his tumultuous journey of love, anger, jealousy and death. But this is not just a dance show with accompanying rock music. Both the band and ballet are interwoven into a unique, powerful and emotional performance. I've never seen anything like it.

How did the idea of fusing the music with ballet come about? How did you create the songs to fit with the ballet choreography?
Derek Sherinian: The music was written first, and then the dancing was choreographed afterwards.

Doug Aldrich: Music has always been in ballet I guess, but this is a fresh approach that the composer felt would be more intense and fit well with the choreography. It could possibly reach a new audience that might otherwise skip ballet. I myself have never been to a ballet, but now I'm interested. The Red Rock Ballet is made up of very talented young dancers from Russia.

What is the story of Heart Of Storm? Tell us about the production and look of the show.
Tony Franklin: The Orpheum Theater is the perfect setting. In the Broadway Theater District of Los Angeles, it has a long history dating back to the 1920s. The list of artists who've performed here is remarkable, including Judy Garland, the Marx Brothers, Ella Fitzgerald, Duke Ellington, Little Richard, Stevie Wonder – the list goes on. "American Idol" and "Amerca's Got Talent" are also filmed here. The Orpheum stage has been transformed to accommodate the unique Heart Of Storm production. The lights, the setting, the sound and performances are all fine-tuned to express the broad array of emotions of the storyline. I'm really excited to be part of Heart Of Storm.

Doug Aldrich: I was so immersed in learning the material that I didn't really know much about the story at first. But once we started to run the show together, it all made sense ... The look seems to be heavy ... very edgy, but with classic ballet feel in spots. In other places, it probably pushes the limit a bit.

Can you elaborate on the band's chemistry? What's the dynamic like?
Derek Sherinian: Everyone in this band is not only incredible musicians, but incredible people as well. Tony Franklin and Gregg Bissonette are hands down the nicest rhythm section in rock! I am truly blessed to be working with such a great team of people across the board.

Doug Aldrich: Derek is our fearless leader and has put together a very diverse bunch of people to perform the music. I know Derek has been working on this for some time. Then I happened to be in Moscow for a day, and I got a phone call from Brent Woods saying that he and Derek were out at a party in town and asked if I wanted to join (laughs). I was asleep and jet-lagged, so I didn't go, but a few months later Derek started to think about this production and called me to play. I have to say, it's been a huge amount of work for me to get up to speed, but we had so much fun that time has flown by. We are all very different people, so it feels unlike any project I've been in. Gregg and Brent secretly coordinated wardrobe the entire time showing up with the same shit and shoes or whatever ... tony is truly one of the nicest people you could ever meet. His playing is just astouding ... so giant. Like all the guys I reckon. Brandon has just blown me away ... with horns and flutes!! He has been very patient wiht his as he has not had to deal with a band this loud. But he seriously shreds if that can be deemed a compliment from me. Derek is that bad boy dude with chops that will back it up. Derek and Brent are serious gearheads, which, of course, I can relate to. Derek has more gear than just about anyone I know ... I get it. There is always more room for something new. Brent plays so awesome. I'm really glad to work with him. He is playing solos as well, but also doing acoustic work, which is very important with a ballet. Gregg is joking around all the time ... always, but he is just an insanely talented player. He, like all the guys, has played with the best of the best, 'cause they are that good.

Gregg Bissonette: The band chemistry is awesome. I've been a fan of all of these musicians for many years and have played with everyone before except Brent Woods, but now he's my new best friend. The first day I showed up for rehearsal, I was wearing a red Foo Fighters shirt and black jeans and Brent was wearing a red shirt and black jeans. Everyone commented on it, so each morning we decided to mess with the others by calling ahead of time and wearing the same colors. It took them a while to figure it out, and they thought we were on the same wave length, but they quickly caught on. We all take the music seriously, as a drummer in the band you have two-man jobs: the tempo and controlling the dynamics ... bringing it way down and way up when you need to. Brandon is one of the world's greatest sax players and I've played with him at the Baked Potato Jazz club in L.A., on his solo albums, and we were in the house band for the Latin Grammys a few years ago. I was in a band with Derek called Jughead, which my brother, Matt Bissonette (Elton John's bassist) and Ty Tabor (King's X) were also in. Derek and I played in Italy with Yngwie Malmsteen and Deep Purple, that's where I played with Doug Aldrich as well. Tony Franklin and I have played a ton together over the years and have been great pals for 20 years. We played years ago on a movie called Endless Summer 2. It was a surf movie. We've done a million albums together and toured all over the world. Derek is the glue that brought us all together. He is a great guy, a fantastic musician, and a wonderful producer and band leader. The music we are playing with Heart Of Storm is written so well that it lends itself to having a lot of dynamics, (playing at different musical volume levels). It's very passionate music and when everyone sees the dancers and storyline, they will love it and see that it's all brilliantly connected.